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    Mad Men: Birthday Baggage

  • Sep 10, 2010 from celebritynews1 in Entertainment
    celebritynews1 Mad Men: Birthday Baggage is a post from: Celebrity News | Celebrity Gossip | BuzzHollywood.com
    Mad Men: Birthday Baggage is a post from: Celebrity News | Celebrity Gossip | BuzzHollywood.com
    First and foremost I give you this:



    Thanks, internet! I knew you'd come through for us.

    Tuesday, May 25th 1965. Harrys proudly handing out his free tickets to the Loews theater showing of the Liston/Clay (AKA Ali) rematch. Im so happy to see both Danny AND Ken there that I almost dont care that Stan, for some reason, still is. Harry gives them out to his pals, but the new guys owe him $10. Why do we have to pay? Danny asks, reasonably. Youre such a Jew, Harry retorts delightfully politically incorrectly. Youre the Jew, trying to make $30 on something you got for free, Danny retorts, and Harry makes a face that says touch, my fellow cheapskate, our money grubbery knows no religion. Stan knows a bookie, because of course he does, so hes taking bets in his tiny notebook. Danny puts $25 on Clay, by a knockout. Good call. I guess it's nice that he doesnt seem to be as thoroughly, laughably dull as we thought at first. (Although there is much debate about the outcome of this particular contest, interestingly enough.) Dons going with Liston though. They invite him to pre-fight dinner at the Palm. Sure, Don says. Then, ten seconds later, he asks Mrs. Blankenship to make dinner reservations for him and Roger anywhere but the Palm. Heh. Mrs. Blankenship takes Harrys stereotypical Jew humor and raises him some actively offensive Negro humor. I feel like being the whitest whitey who ever whited compels me to leave it at that.

    "You're gonna have to give me a pretty great Samsonite ad if you want to sit on my shoulders during the fight."

    The Samsonite team, presumably emboldened by Faye Millers focus group she was cleaning up after last week, follows Don into his office to show them their work. And theyre freaking visionaries years before someone realized Joe Namath, like all obscenely highly paid athletes, will do literally anything for even more money, including wearing pantyhose! these guys imaginary commercial has a fresh-faced rookie Joe Namath winking cheesily about how his suitcase holds up to defense, or some other lame football metaphor. Despite Joeys charming Namath impersonation, Don is underwhelmed. Bzzzt. Not even close. Could you leave us, please? He asks the boys, and when hes alone with Peggy, the first thing he says is: Peggy, Im glad that this is an environment where you feel free to fail. Ah, this is going to be a fun conversation. He likes the toughness angle which was Dannys idea, interestingly enough its just the execution thats a giant stinking pile of crap. No offense, Peggy. Should it be funny? Peggy asks, annoyed. Actually funny? Maybe. Funny like what I just saw? No. Sigh. Happy birthday, Peggy.

    Seriously, happy birthday, Peggy! And Duck remembered. There are flowers waiting on her desk. She calls him to say thanks, and he tells her to open the present that came with them. Its a box of business cards: Phillips-Olson Advertising, Peggy Olson Creative Director. Ah, we knew it was only a matter of time! Well, good for him that hes gotten his shit together since humiliating himself at the Clios, and is now in a position to voluntarily leave his job tooh no wait, hes still a drunk. A sad, unemployed, testy drunk. It doesnt take long for Peggy to see this for what it really is: a truly pathetic gesture from a total fuckup trying to scrounge up some accounts so he can do what Don did. Only, you know, less cool, by several orders of magnitude. So, what do you have so far? Peggy asks skeptically. Look, Duck snaps, "I know its not a diamond necklace or anything but I did spend some money on those cards! Poor pathetic Duck. Peggy politely says that she appreciates the gesture, but she doesnt know whether to take any of it seriously, because she suspects hes been drinking. She heard about the Clios. Duck changes tactics and the subject: I have to see you tonight! Sigh. "Peg, Im fallin apart! he whimpers, but she has to go take care of the succession of progressively shorter fart-joking frat boys filing into her office. Don hated it. Back to the drawing board.

    **sad trombone**

    YOU GOT A CALL WHILE YOU WERE IN THE TOILET, the always delicate Mrs. Blankenship tells Don. Stephanie from California. Its urgent. Well, shit. Don knows exactly what that means, and so do we. He sits at the phone, brow furrowed, and does nothing. He looks at the last picture Anna sent him, which is displayed on his desk right next to his kids. He cant call, not yet. And its a good thing, cause Roger picks that moment to burst in unannounced. Our night is ruined! He moans. Turns out they have to hang out with Freddy Rumsen and his fellow AA member the Ponds guy. So theyre going to have to drink before dinner if they drink at all, and worse, theres all the talk about drinking, where they start with the funny stories and end up crying....

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528 pages

No Space, No Choice, No Jobs, No Logo

Creator: Naomi Klein | 2002-04-06

An analysis of the invasion of personal lives by logo-promoting, powerful corporations combines muckraking journalism with contemporary memoir to discuss current consumer culture.

Publisher: Picador USA

About this book
With a new Afterword to the 2002 edition,  No Logo employs journalistic savvy and personal testament to detail the insidious practices and far-reaching effects of corporate marketing—and the powerful potential of a growing activist sect that will surely alter the course of the 21st century. First published before the World Trade Organization protests in Seattle, this is an infuriating, inspiring, and altogether pioneering work of cultural criticism that investigates money, marketing, and the anti-corporate movement. As global corporations compete for the hearts and wallets of consumers who not only buy their products but willingly advertise them from head to toe—witness today’s schoolbooks, superstores, sporting arenas, and brand-name synergy—a new generation has begun to battle consumerism with its own best weapons. In this provocative, well-written study, a front-line report on that battle, we learn how the Nike swoosh has changed from an athletic status-symbol to a metaphor for sweatshop labor, how teenaged McDonald’s workers are risking their jobs to join the Teamsters, and how “culture jammers” utilize spray paint, computer-hacking acumen, and anti-propagandist wordplay to undercut the slogans and meanings of billboard ads (as in “Joe Chemo” for “Joe Camel”). No Logo will challenge and enlighten students of sociology, economics, popular culture, international affairs, and marketing.“This book is not another account of the power of the select group of corporate Goliaths that have gathered to form our de facto global government. Rather, it is an attempt to analyze and document the forces opposing corporate rule, and to lay out the particular set of cultural and economic conditions that made the emergence of that opposition inevitable.”—Naomi Klein, from her Introduction Naomi Klein, born in Montreal in 1970, is an award-winning journalist. She writes a weekly column in The Globe and Mail, Canada's national newspaper, and is also a frequent columnist for the British Guardian. For the past five years, Klein has traveled throughout North America, Asia, and Europe, tracking the rise of anti-corporate activism. She often serves as a media commentator and has guest-lectured at Harvard, Yale, and New York University. She lives in Toronto. For more information, please visit her website at www.nologo.org. No Logo employs journalistic savvy and personal testament to detail the insidious practices and far-reaching effects of corporate marketing—and the powerful potential of a growing activist sect that is already changing the course of the 21st century. First published before the World Trade Organization protests in Seattle, this is an infuriating, inspiring, and altogether pioneering work of cultural criticism that investigates money, marketing, and the anti-corporate movement. As global corporations compete for the hearts and wallets of consumers who not only buy their products but willingly advertise them from head to toe—witness today’s schoolbooks, superstores, sporting arenas, and brand-name synergy—a new generation has begun to battle consumerism with its own best weapons. In this provocative, well-written study, a front-line report on that battle, we learn how the Nike swoosh has changed from an athletic status-symbol to a metaphor for sweatshop labor, how teenaged McDonald’s workers are risking their jobs to join the Teamsters, and how "culture jammers" utilize spray paint, computer-hacking acumen, and anti-propagandist wordplay to undercut the slogans and meanings of billboard ads (as in "Joe Chemo" for "Joe Camel"). As Klein notes in her Introduction: "This book is not another account of the power of the select group of corporate Goliaths that have gathered to form our de facto global government. Rather, it is an attempt to analyze and document the forces opposing corporate rule, and to lay out the particular set of cultural and economic conditions that made the emergence of that opposition inevitable." Thus No Logo will challenge and enlighten students of sociology, economics, popular culture, international affairs, and marketing."This book is not another account of the power of the select group of corporate Goliaths that have gathered to form our de facto global government. Rather, it is an attempt to analyze and document the forces opposing corporate rule, and to lay out the particular set of cultural and economic conditions that made the emergence of that opposition inevitable."—Naomi Klein, from her Introduction "No Logo has been a pedagogical godsend. I used it to illustrate contemporary applications of complex cultural theories in an introductory social science sequence. It worked so beautifully, word about the book spread across campus, and other students were begging to read it in their sections of the course."—Bruce Novak, Division of Social Sciences, The University of Chicago"A complete, user-friendly handbook on the negative effects that '90s überbrand marketing has had on culture, work, and consumer choice . . . An encyclopedic compilation of the decade's fringe and mainstream anti-corporate actions and mind-sets."—The Village Voice"Energetic and optimistic, Ms. Klein incarnates [her] generation's invention of the North American left."—The New York Times"The Das Kapital of the growing anti-corporate movement . . . A riveting, conscientious piece of journalism and a strident call to arms. Packed with enlightening statistics and extraordinary anecdotal evidence, No Logo is fluent, undogmatically alive to its contradictions and omission and positively seethes with intelligent anger."—The Observer (London)"No Logo should be read by anyone who thinks that the Seattle demonstrations were an aberration."—The Economist"A brilliant account of how Nike, Starbucks, McDonalds etc. branded the industralised world, and how the most exciting strand of radical politics is now bound up with resisting their kulturkampf . . . Fantastic and inspiring."—The Times Literary Supplement"Klein is a sharp cultural critic and a flawless storyteller. Her analysis is thorough and thoroughly engaging."—Newsweek.com“No Logo is an attractive sprawl of a book describing a vast confederacy of activist groups with a common interest in reining in the power of lawyering, marketing, and advertising to manipulate our desires.”—The Boston Globe "Klein is a gifted writer; her paragraphs can be as seductive as the ad campaigns she dissects."—The New York Times Book Review"Just when you thought multi-nationals and crazed consumerism were too big to fight, along comes Naomi Klein with facts, spirit, and news of successful fighters already out there. No Logo is an invigorating call to arms for everybody who wants to save money, justice, or the universe."—Gloria Steinem"Naomi Klein's trenchant book is the perfect introduction to and explanation of those stunning events [in Seattle] . . . This book is the very essence of cool."—The Toronto Globe and Mail "To understand how branding drives the global market, you couldn't ask for a better guide than Naomi Klein."—Toronto Star"A dense, fact-filled publication that makes plain the jargon spouted by all who put profit before basic human needs . . . [A wor


Fairy Dust and the Quest for the Egg

Creator: Disney Book Group, Gail Carson Levine | 2011-08-31

Publisher: Disney Press



256 pages

The Essential Calvin and Hobbes, A Calvin and Hobbes Treasury

Creator: Bill Watterson | 1988-01-01

The award-winning cartoonist details the further adventures of Calvin, a mischievous young boy with boundless energy and imagination, and his lovable stuffed tiger

Publisher: Andrews McMeel Publishing

About this book
Here is the all-inclusive chronicle of events beginning with the day Hobbes sprang into Calvin's tuna-fish trap and their friendship was forged forever. Essential not only for its thoroughness, including full-color Sunday cartoons, but also for the never-before-published cartoon story it features.


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