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FXCM MENA 1 Year Later

• Sep 20, 2010 from krislarsen39(Kris Larsen) in *
  The cult of Leica.
  
  Image by nimboo
  From The New Yorker
  www.newyorker.com
  A Critic at Large
  Candid Camera
  The cult of Leica.
  by Anthony Lane
  September 24, 2007
  Fifty miles north of Frankfurt lies the small German town of Solms. Turn of the main thoroughfare and you find yourself driving down tranquil suburban streets, with detached houses set back fro the road, and, on a warm morning in late August, not a soul in sight. Nobody does bourgeois solidity like the Germans: you can imagine coming here for coffee an cakes with your aunt, but that would be the limit of excitement. By the time you reach Oskar-Barnack-Strasse, the town has almost petered out; just before the railway line, however, there is clutch of industrial buildings, with a red dot on the sign outside. As far as fanfare is concerned, thats about it. But here is the place to go if you want to find the most beautiful mechanical objects in the world
  Many people would disagree. Bugatti fans, for instance, would direct your attention to the Type 57 Atlantic, the only car I know that appears to have been designed by masseuses. Personally, I would consider it a privilege to die at the wheel of a Lamborghini Miuranot difficult, when youre nudging a hundred and seventy m.p.h. and waving at passersby. But automobiles need gas, whereas the truest mechanisms run on nothing but themselves. What is required is a machine constructed with such skill that it renders every userfrom the pro to the banana-fingered fumblermore skillful as a result. We need it to refine and lubricate, rather than block or coarsen, our means of engagement with the world: we want to look not just at it, however admiringly, but through it. In that case, we need a Leica.
  There have been Leica cameras since 1925, when the Leica I was introduced at a trade fair in Leipzig. From then on, as the camera has evolved over eight decades, generations of users have turned to it in their hour of need, or their millisecond of inspiration. Aleksandr Rodchenko, Andr Kertsz, Walker Evans, Henri Cartier-Bresson, Robert Capa, Robert Frank, William Klein, Garry Winogrand, Lee Friedlander, and Sebastio Salgado: these are some of the major-league names that are associated with the Leica brandor, in the case of Cartier-Bresson, stuck to it with everlasting glue.
  Even if you dont follow photography, your minds eye will still be full of Leica photographs. The famous head shot of Che Guevara, reproduced on millions of rebellious T-shirts and student walls: that was taken on a Leica with a portrait lensa short telephoto of 90 mm.by Alberto Daz Gutirrez, better known as Korda, in 1960. How about the pearl-gray smile-cum-kiss reflected in the wing mirror of a car, taken by Elliott Erwitt in 1955? Leica again, as is the even more celebrated smooch caught in Times Square on V-J Day, 1945a sailor craned over a nurse, bending her backward, her hand raised against his chest in polite half-protestation. The man behind the camera was Alfred Eisenstaedt, of Life magazine, who recalled:
  I was running ahead of him with my Leica, looking back over my shoulder. But none of the pictures that were possible pleased me. Then suddenly, in a flash, I saw something white being grabbed. I turned around and clicked.
  He took four pictures, and that was that. It was done within a few seconds, he said. All you need to know about the Leica is present in those seconds. The photographer was on the run, so whatever he was carrying had to be light and trim enough not to be a drag. He swivelled and fired in one motion, like the Sundance Kid. And everything happened as quickly for him as it did for the startled nurse, with all the componentsthe angles, the surrounding throng, the shining white of her dress and the kissers capfalling into position. Times Square was the arena of uncontrolled joy; the job of the artist was to bring it under control, and the task of his camera was to bring lifeor, at least, an improved version of it, graced with order and impactto the readers of Life.
  Still, why should one lump of metal and glass be better at fulfilling that duty than any other? Would Eisenstaedt really have been worse off, or failed to hit the target, with another sort of camera? These days, Leica makes digital compacts and a beefy S.L.R., or single-lens reflex, called the R9, but for more than fifty years the pride of the company has been the M series of 35-mm. range-finder camerasdurable, companionable, costly, and basically unchanging, like a spouse. There are three current models, one of which, the MP, will set you back a throat-drying four thousand dollars or so; having stood outside dustless factory rooms, in Solms, and watched women in white coats and protective hairnets carefully applying black paint, with a slender brush, to the rim of every lens, I can tell you exactly where your money goes. Mind you, for four grand you dont even get a lensjust the MP body. It sits there like a gum without a tooth until you add a lens,...